CALIU: Nothing else, what else can I do? is the intimate portrait of a legendary violinist from the rural Romanian village of Clejani. Once propelled to international stardom as a virtuoso of traditional fiddler music, Caliu now fights to reclaim both his place on the global stage and his role within his family. The film follows Caliu’s journey as he strives to reconnect with his past glory, uphold his cultural heritage, and regain a sense of pride and purpose. Through candid, observational storytelling, we witness the complexities of a man caught between tradition and modernity, ambition and humility, fame and family ties. The documentary explores Caliu’s resilience and adaptability, showing how he navigates the social and emotional challenges of a changing world while remaining deeply rooted in his origins.

When a Latin teacher publishes an essay on the Carthaginian General Hannibal, he is quickly hailed as a celebrity genius, but in reality has become an unwitting pawn of far-right politicians. ”The film, released in 1956, the same year that the failed Hungarian Revolution took place (where over 2 000 civilians lost their lives at the hands of Soviet and Hungarian authorities), could be interpreted as a depiction of the growing dissatisfaction of Hungarians with the Communist regime. The centralized education system, a one-party reality, and the involuntary, public self-renunciation of Nyúl point to the realities of pre-’45 Hungary as much as they work in their Communist pendant: though there are some explicitly nationalist rhetoric in the film, it is the common denominators of political extremism that are most prominent.” (East European Film Bulletin)

A happily engaged couple (played by Zendaya and Robert Pattisons) is put to the test when an unexpected turn sends their wedding week off the rails.

As Miranda Priestly nears retirement, she reunites with Andy Sachs to face off against her former assistant turned rival: Emily Charlton.

Every night a shepherd reads aloud a murder mystery, pretending his sheep can understand. When he is found dead, the sheep realize at once that it was a murder and think they know everything about how to go about solving it.

The night of her birthday, Janine has to stay at work, but she doesn't complain. When she gets to the convenience store, her workmate, Jorge, ditches her to meet some friends. Janine will have to face the shift on her own while ignoring her mother's calls. Also, she enjoys the company of an unusual customer, Mr. N.

A wheelchaired apothecary is summoned to the police station for "a particular matter". The old man is convinced that his sin is revealed, which he had committed during the war. His friends insist that they only wanted to joke with him but his conscience can no longer be silenced. ”The film begins with the mood of a wacky comedy, evolves into the grotesque and culminates in a dis- quieting, Kafkaesque drama, reflecting on the Holocaust and the idea of guilt, without ever losing that first imprint, which allows the film to veer suddenly into loose and surreal humour. ” (Il Cinema Ritrovato)

Quentin Tarantino's KILL BILL: THE WHOLE BLOODY AFFAIR unites Volume 1 and Volume 2 into a single, unrated epic--presented exactly as he intended, complete with a new, never-before-seen anime sequence. Uma Thurman stars as The Bride, left for dead after her former boss and lover Bill ambushes her wedding rehearsal, shooting her in the head and stealing her unborn child. To exact her vengeance, she must first hunt down the four remaining members of the Deadly Viper Assassination Squad before confronting Bill himself. With its operatic scope, relentless action, and iconic style, THE WHOLE BLOODY AFFAIR stands as one of cinema's definitive revenge sagas--rarely shown in its complete form, and now presented with a classic intermission. (Rotten Tomatoes)

Quentin Tarantino's KILL BILL: THE WHOLE BLOODY AFFAIR unites Volume 1 and Volume 2 into a single, unrated epic--presented exactly as he intended, complete with a new, never-before-seen anime sequence. Uma Thurman stars as The Bride, left for dead after her former boss and lover Bill ambushes her wedding rehearsal, shooting her in the head and stealing her unborn child. To exact her vengeance, she must first hunt down the four remaining members of the Deadly Viper Assassination Squad before confronting Bill himself. With its operatic scope, relentless action, and iconic style, THE WHOLE BLOODY AFFAIR stands as one of cinema's definitive revenge sagas--rarely shown in its complete form, and now presented with a classic intermission. (Rotten Tomatoes)

In Budapest in 1944, a watchmaker, a book seller and a carpenter are drinking in a bar with the owner, when they are joined by a stranger. The watchmaker asks a hypothetical question that will change their lives. ”Martyrdom, of a tragicomically compromised kind, is perhaps the film’s subject. It’s an arrestingly spiky political cabaret of cruelty and fear, recognisably from the same era of European cinema that brought us Pasolini’s Salò or Marco Ferreri’s La Grande Bouffe.” (Peter Bradshaw, The Guardian)