One year in a small northern Italian coastal town in the late 1930s is presented in one of Fellini's most celebrated masterpieces. The slightly off-kilter cast of characters are affected by time and location, the social mores dictated largely by Catholicism and the national fervor surrounding Il Duce aka Benito Mussolini and Fascism.

TWST begins with the arrival of the Beatles in New York for their August 1965 concert at Shea Stadium and takes its title from a Beatles song that anticipates a time when the present moment will have become a haunting past, neither retrievable nor forgettable. The frame of reference steadily broadens, juxtaposing adjacent realities of 1965—the New York World’s Fair and the Watts riots filtering through from the East Coast on television. A cast of thousands is summoned—each separate sphere, face, and place given equal weight, each instant a centre. Within these domains, ghostly incorporeal presences circulate, their words audible—figures of vanished youth still inhabiting these locations, whose gritty photographic textures confirm their reality. A journey to the hidden core of a world both gone and palpably present.

<p>Mismatched cousins reunite for a tour through Poland to honor their beloved grandmother, but their old tensions resurface against the backdrop of their family history.</p>

TWST begins with the arrival of the Beatles in New York for their August 1965 concert at Shea Stadium and takes its title from a Beatles song that anticipates a time when the present moment will have become a haunting past, neither retrievable nor forgettable. The frame of reference steadily broadens, juxtaposing adjacent realities of 1965—the New York World’s Fair and the Watts riots filtering through from the East Coast on television. A cast of thousands is summoned—each separate sphere, face, and place given equal weight, each instant a centre. Within these domains, ghostly incorporeal presences circulate, their words audible—figures of vanished youth still inhabiting these locations, whose gritty photographic textures confirm their reality. A journey to the hidden core of a world both gone and palpably present.

The story of a young deer growing up in the forest.

TWST begins with the arrival of the Beatles in New York for their August 1965 concert at Shea Stadium and takes its title from a Beatles song that anticipates a time when the present moment will have become a haunting past, neither retrievable nor forgettable. The frame of reference steadily broadens, juxtaposing adjacent realities of 1965—the New York World’s Fair and the Watts riots filtering through from the East Coast on television. A cast of thousands is summoned—each separate sphere, face, and place given equal weight, each instant a centre. Within these domains, ghostly incorporeal presences circulate, their words audible—figures of vanished youth still inhabiting these locations, whose gritty photographic textures confirm their reality. A journey to the hidden core of a world both gone and palpably present.

Pablo Picasso is one of the greatest artists in the world, and until his death in 1973, he was the most prolific. How it all began ? How was Picasso built? After being ignored for too long, it's time to focus on the artist's early years, his education and the lessons that allowed him to accomplish the extraordinary. Three cities played a key role: Malaga, Barcelona and Paris. Young Picasso crosses them and explores their influence on the artist, analyzing specific works from his beginnings.

Transcending the boundaries of technology and imagination, "Waking Life" is a revolutionary breakthrough in film animation. Wiley Wiggins travels through a series of encounters and observations in a world that may or may not be reality. It is this surreal existence, flourishing with endless ideas and possibilities, that ultimately leads to the question -- Are we sleep-walking through our waking state or wake-walking through our dreams? man shuffles through a dream meeting various people and discussing the meanings and purposes of the universe.

Pink Floyd at Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, returns to theaters, now digitally re-mastered in 4K from the original 35mm footage with enhanced audio. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheater in Pompeii, Italy, the film captures Pink Floyd performing an intimate concert without an audience. Filmed in October 1971, the performance features unforgettable tracks such as “Echoes,” “A Saucerful of Secrets,” and “One of These Days.” The breathtaking visuals of the amphitheater, captured both day and night, amplify the magic of the performance, creating a unique and immersive experience. Additionally, the film includes rare behind-the-scenes glimpses of the band working on The Dark Side of the Moon at Abbey Road Studios. This meticulous restoration delivers stunning image and sound quality, featuring a theatrical and home entertainment mix from Steven Wilson in 5.1 and Dolby Atmos. These upgrades enhance the film's depth and clarity while preserving the authenticity and spirit of the original 1972 release. Inspired by the golden warmth of Pompeii’s iconic setting, the remaster transforms this timeless piece into a masterpiece of sight and sound. Experience Pink Floyd like never before through this pioneering audio-visual remaster!

Hugo Barrett is the servant of the Chelsea home of aristocrat Tony. He appears to be a loyal and competent employee, but Tony’s girlfriend Susan does not like him and asks Tony to send him away. When Barrett persuades Tony to hire his sister Vera as a live-in maid, matters take a turn for the worse.

The life and work of Michelangelo, one of the most important artists of the Italian High Renaissance, are brought to life in this documentary through an exhibition in the National Gallery that also explore his relationship with da Vinci.

An urbane fox cannot resist returning to his farm raiding ways and then must help his community survive the farmers' retaliation.